If you were to ask those who grew up in the times of the "new wave", everyone would be able to tell you that Piko Stančić was a face for something. Either as a reliable drummer in several important bands, or as a producer who unfailingly styled the sound of our groups to reach the world level, or simply as a face whose talent could not be so easily defined
Our friend drew our attention to the fact that the Zagreb and Belgrade comeback concerts were different - while in Zagreb everyone came with question marks above their heads, in Belgrade everyone came with exclamation points! And you could clearly see that in Zagreb it took a little bit of work to get it rolling, so that in the end it would be total madness, while in Belgrade it was known from the beginning what it had come to and what was eagerly awaited
On the occasion of the 40th anniversary of "the best Yu album of all time" - an anniversary that is being talked about a lot these days, and in conjunction with the reissue of that album - we have before us a very unusual meeting of old connoisseurs. The questions are asked by one of the first people who wrote clearly and loudly about VIS Idols in the Zagreb press back then. His interlocutor, however, contrary to the almost general consensus, does not see that highly praised release at the very top of domestic music history.
A quarter of a century ago, due to the premature and premature death of Milan Mladenović, Ekatarina Velika disappeared from the scene, a rock group whose best albums are one of the main reasons why we should advocate for rock and roll to be retroactively finally recognized as part of the local cultural heritage, canonized in the same rank as the most important films , novels or paintings from that period
