The play "Professional" is performed for the 50th time. "It is incredible that in forty years - since writing about the then government and communism, little has changed," says its author, Dušan Kovačević.
Every year, a generation of young people leave the art academies and enter the theater life looking for their place. If they don't find it within four years, life will blow them away and they will be lost to the theater forever - believes Marina Magyarev
The Assembly of the City of Belgrade appointed board members for the seven main festivals in the city. Dušan Kovačević heads the Fest Board
"When the theater is closed, the message cannot be sent to anyone," explained Dušan Kovačević, explaining the decision of "Zvezdar Teatr" to continue showing the scheduled performances even during the strike.
Drama Saint George kills the dragon it definitely belongs to one time and one view of our history, but manages to catch up with the contemporary moment as well
The last premiere in 2024 is "Saint George Kills the Dragon" by Dušan Kovačević at the Yugoslav Drama Theater, a drama that director Milan Nešković says is "perhaps the most beautifully written melodrama in the Serbian language."
Dusan Kovačević: The widow of a living man
directed by Dušan Kovačević
Zvezdara Theater
"Zvezdara Teatar" announces the premiere of Dusan Kovačević's latest drama text "The Widow of a Living Man", and "Laguna" a collection of his plays, including this one, the latest one. Kovačević says that it was copied from life
The book fair was a success, 190.000 people visited it, and next October it will be in Hall 1 again. Where it will be in 2027 has not been announced.
"During the Festival, the way films were shot and shown changed - from 35 millimeters to electronics. At one time we had to have projectors for both. We are making a small film on that topic", recalls Radoslav Zelenović on the occasion of the 30th anniversary of the Palić festival
Dusan Kovačević: Hilarious tragedy; directed by Jagoš Marković; National Theater
Whoever is not on the progressive line, real and ministerial bots attack him with insults. Director Goran Marković also experienced this. One of the proposals to stop such practice is for cultural institutions to send a clear message
