According to Vladimir Đukanović Đuka, the key reason why people do not go to the theater is the political and ideological attitude of their actors. According to RZS data, people go to the theater even more than before
Healing mode,
directed by Đorđe Nešović, starring Natalija Stepanović, Dragana Đukić, Ivan Jevtović and Marko Grabež;
Stage "Peter Kralj", Atelier 212
Jeu, directed by Milica Kralj, playwright Mila Milošević, played by Ljiljana Slović, Vladan Milić, Vučić Perović, Uroš Jovčić, Milica Janketić, Katarina Marković, Teodora Ristovski
Before the Book Fair, and on the occasion of the anniversary of the death of the great actor we love, it was published Monograph by Žarko Laušević to disclose and preserve the memories of Voja Brajović, Dragana Varagić, Slavko Štimac, Slobodan Unkovski, Vlada Divac... on their Lauš
Although the oldest children's theater will celebrate its big birthday as a tenant and without money for premieres, everything it has achieved in the meantime overcomes the problems. That's why in the conversation with Milena Depolo, the playwright of "Buhe", beautiful topics prevail
The money that the state spends on the National Theater to insure it against a possible fire is an attempt to stop another fire, one that can only be prevented by the resignation of SNS cadres at the head of this house
Employees of the National Theater are starting a one-hour warning strike today due to their dissatisfaction with the new Management Board and the Rulebook on Labor Discipline. Actors are supported by students and colleagues from other theaters
Sarajevo Theatre Showcase - Let's meet! (Sarajevo, September 12-14)
The performance Paci's School was removed from the September repertoire of the Puppet Theater in Nis immediately after the premiere because someone saw in it what was not there: protest whistles, the Palestinian flag and yellow vests of student-guards.
Director Marko Torlaković states that there was pressure even before the premiere, while the director of Lutkarski Milica Radulović claims that the only reason for the cancellation is that the play is intended for the evening stage.
Can an artist's idea be more important than his work? Of course he can. Can we call it all art? Also - yes, if we want to. And is a theater performance an art or a social act? Well, we won't think the same about that
The motto of the Nishville Jazz Theater Festival is "To play or not to play" because we really live the duality that Hamlet lives and which is associated with "to be or not to be", Maja Mitić, artistic director and selector of the festival, told "Vreme"
Žiža Stojanović was a member of theaters in Niš, Novi Sad and Belgrade, and in her career she played more than 120 theater roles
In the second act, Leone and Glembay burrowed into each other like a sparrow in a sparrow. That cruel confrontation ended with Glembay's death. In his death throes with the appearance of Baroness Castelli, old Glembay ended up in the arms of his son. It is a tribute to Michelangelo and his sculpture "Pieta". The "Pieta" scene was conceived by Danilo Marunović
Space and time, human relationships in space and time, the relationship between the author of the text, the character to whom the text is given and the person (actor/performer) who speaks the text, the viewer who influences the performance by watching it and the energy that holds all these factors together - this is what we could define as theater based on Liješević's play
On Tuesday, June 3, with an award ceremony and a program called Epilogue in rhythm, the 70th anniversary of Sterija's theater was completed. This festival is an accurate picture of the situation in which our theater always finds itself - even when the theater public is not satisfied with the way awards are distributed, or when it seems that the selection is not "fair". That is why this text will not talk about all 12 plays (nine in the competition program and three in the Circles), which were chosen by the selector Ana Tasić, but about an attempt to capture a picture of our theater situation.
"They are gone", text by Dorutin Baša, directed by Andrej Nosov, "Hartefakt kuća"
Maga Jelena Kajgo, directed by Boris Todorović and performed by the National Theater of Užice, A broken jug Heinrich von Kleist, directed by Tanja Mandić Rigonat and performed by the National Theater of the Republic of Srpska from Banja Luka
Actor and director Erol Kadić, a permanent member of the ensemble of the Atelje 7 Theater, died in Belgrade on May 212.
The two latest books by Svetislav Jovanov deal with theater theory, and are not meant to pass the time. They are for those who need theater, who think about it
The second ShowCase The Zagreb Youth Theater (ZKM) was organized from March 27 to 30 with the desire to present the work of this theater to selectors, managers and critics outside Croatia. Four performances were presented at the festival: Ice angel, Shipping Costs, mother and father sit at the table and are silent for a long time, Shoe tongue i Only the end of the world (co-production with the Istrian National Theater - Pula City Theatre). The critic of "Vremena" writes about three
The question "to play or not" hangs over the theatergoers' heads like an ominous canopy. Should theaters work, that is, play plays so that artists and audiences can share their common position on a social problem?
The Sensible Girl is an important character who heralds the emancipation of a new class and, at the same time, the beginning of the emancipation of women. Goldoni's Mirandolina is smart, hardworking, financially independent (thanks to her inheritance and her abilities), class conscious and successful, and money is a confirmation of moral and spiritual values
Should theaters be playing plays while a very different kind of theater is taking place in the squares, streets and roads of this country
Theaters have canceled performances, a number of employees in museums are not working but it seems that they are all open to the public, bookstores of well-known publishers are not working...
"They will talk about the generation that started not a revolution, but an evolution. This is a civilizational, evolutionary step. We, the older ones, have forgotten that it is possible"
Princess Xenia of Montenegro
Montenegrin National Theatre, directed by Radmila Vojvodić
