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Blackness, greed and one step further
Play dirty. (Amazon Prime), directed by Shay Blake, starring Mark Wahlberg

Play dirty. (Amazon Prime), directed by Shay Blake, starring Mark Wahlberg

Sedef-fog, directed by Milorad Milinković, starring Petar Strugar, Miloš Timotijević, Milena Predić, Siniša Dugalić

One battle after another, directed by Paul Thomas Anderson,
starring Leonardo DiCaprio, Tiana Taylor, Sean Penn, Benicio del Toro

In her daughter's film, Jane Mansfield gets the chance for the first time to be seen as a real woman of flesh and blood, with all the virtues and flaws, and not a mere projection of men's sexual fantasies about an insatiable busty blonde. On the other hand, Ashley April and Amanda Lear bring their multiple identities to the stage, embracing and rejecting them. Actually, playing with them


Snow White, "Disney", directed by Mark Webb,
screenplay by Greta Gervin and Erin Cressida Wilson,
starring Rachel Zegler, Andrew Burnup and Gal Gadot


Becoming Led Zeppelin, directed by Bernard McMahon, Sony Pictures Classics (121 minutes)

In a Europe with already canceled borders, France and the Netherlands do not have a common border (the one of the old coin), and it could be said that the Netherlands does not fall into the sphere of cultural and cultural influence of France, which is significantly larger and more significant, and as a primary common content, a divided and functional Belgium

Better man is certainly a huge step forward on the path to full authorial daring, which in turn cannot be an end in itself

New Nosferatu is a solid film in which excellent cinematography, costumes and scenography stand out, but which, when everything is added and subtracted, is not even comparable to its predecessors

Spoon it definitely deserves to be seen on the big screen, it is an adaptation that has a lot to offer, but which is actually quite shallow and superficial

Parthenope, as Sorrentino presents and directs her, is essentially an unlikable character who is essentially a paper construct and not much more or wider than that.

Naturalism is present as a common content in all five films that will be discussed here

Film Adjacent room represents a new phase in the career of the seventy-five-year-old author: it is his first feature film in English and the first film with a (mostly) non-Hispanic cast.

The musical, as always a somewhat forced and theatrical form, requires considerable suspension of disbelief and extreme benevolence of the audience, which requires that the plot deals with typical, tried-and-tested, commonplace and reduced themes, and here Odijaru succeeds in creating momentum of an operetta range, where everything somehow larger than life, and on the other hand, strongly and thoroughly imbued with life and reality

When it was already decided to film the sequel, it could have been done a little more elegantly
This film by Abbasi is, it seems, a sufficiently sincere and thoughtful attempt to remove Trump's fists from his face, and then as convincingly as possible to present a portrait of a man who, even when he suffers, does not give up the possibility (which is not only a reflection of alpha male and competitive urges) to suffer inflicted on others as well, even if they belonged to the circle of his closest "satellites"

We could also introduce "gentrification of the soul" as a motive, which then brings us to the conclusion of two more "exotic" arthouse films that have quietly crept into the repertoires of the few cinemas still willing to deal with films of that genre.

Substance in the first place and in the conceptual sense, it is a superb presentation of the nightmare of dysmorphia, that is, a serious mental disorder and the endemically widespread inability to have a realistic image of one's own appearance (and shape).

Lantimos' new film certainly "has its moments", but it is certainly one of the weakest achievements in his filmography so far. It's not a point-blank shot, but it's far from hitting the center of the target. It is obvious that Lanthimos rushed the new film without paying enough attention to the script, and that he filmed a three-hour bizarreness that is, more or less, an end in itself.

Great beauty the story is about eternal Rome, perhaps such a film could not be created outside of Rome, about the beauty and emptiness of Rome, the eternal Rome of wisdom and the everyday Rome of stupidity. It is - as the main character says - a place where the most interesting people are tourists. The Romans are thus drowning in their brocade wasteland, in the barrenness of discotheques, killing the remnants of the time given to them by escapist dancing at collective dance parties or having bourgeois conversations about Marxism with expensive drinks.

Beetlejuice, Beetlejuice is a perfectly decent and usable repertory film which will be enjoyed by fans of the first part and which, perhaps most importantly, will get some new kids interested in Burton's directorial oeuvre

With some smarter moves and re-edits, this could have been a much better movie. But its derivativeness and the need to "hang on" to famous role models is so great that it kills any possibility of getting something that is at least partially original.
Realization 3211 is a combination, actually a braid made up of drama parts and documentary, i.e., monologue confessional segments in which Stefan Đurić Rasta talks about his life and biography, as well as his incorrigible nature
Oppenheimer is the story of a man who put a weapon of mass destruction in the hands of politicians, a bomb the likes of which the world had never seen before. Playing with time flows, black and white and color photography, Nolan slowly builds his story. The three-hour duration of the film should give him enough space to say and show everything he wants. However, a lot of it is just skimmed over
Within a naturalistic expression, and with enough tact in terms of a convincing bifurcation of both the story and its meanings, Korieda se A broker returned to settings known from the fund of effective solutions from American independent film